Get all 15 Draugablíkk releases available on Bandcamp and save 90%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Grímnir: At Sumri, Blood of the Amali: Kattegat Um Skerja, Path to Valhalla: Serpents in the Mist (Ormr Dímmu ft. Alvtýra), Hróðvitnir: Solstice Solasvartr, Fornrít Fara: Myrkrmáni, Wolfclan Rising: Berserkastrið (feat. Alvtýra), Hreinnhǫfði - Solstice Sólablót (feat. Alvtýra), Wolves of Hyrkania (Gothunni Metal Cut), and 7 more.
Draugablíkk
Guided by the watchful gaze of the Old Gods, Draugablíkk seamlessly blends the rich tapestry of Nordic folk with the shamanic song traditions of Serkland, a historical region east of Scandinavia and Finland.
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supported by 10 fans who also own “Hel var Árheim (Norðrlandasaga)”
Apres avoir entendu cette magnifique mélodie, elle m'est restée dans la tete, plutard, je me suis surprise a la chantonner.
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supported by 8 fans who also own “Hel var Árheim (Norðrlandasaga)”
Need more Danheim in my life, first heard on Mud & Blood
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supported by 8 fans who also own “Hel var Árheim (Norðrlandasaga)”
This might be my favourite of Heilung. They've improved a bit on their later releases but their debut is still much meaner, and darker. Maria's amazing voice obviously steals the show but I also quite like Kai's too, especially on the live performance. In fact I'd say get LIFA over this IMO. The spoken word bits are really cool to hear proto-germanic in use but for relistening purposes they are going to be a bit obtrusive. Nevertheless the proper music here is on continual repeat for me.
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Loss Seeking Flame
by Aerial Ruin
Metal guitarist and Bell Witch collaborator Erik Moggridge balances serene, softly plucked folk with somber poetry on his new solo project.
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Songs of my land
by Chiyomi Yamada
Ancient Japanese folk songs are presented with Western folk-pop arrangements to haunting, elegant effect.
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An stunning debut that explores Greek folk tradition through a dreamy musical ecosystem.
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supported by 8 fans who also own “Hel var Árheim (Norðrlandasaga)”
i like this version better than the original. The middle part has that aggression that makes the excellent balance with the beginning and ending of the song.
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